Abstract art prints emphasise colour, shape and gesture rather than a recognisable scene. Use this guide to choose scale and mood, then browse the Abstract collection when you are ready to buy.
| 123 works · 19 artists · 6 sizes · from £52.50 | |
| Most represented | Paul Duncan, 34 works |
|---|---|
| Shape of the collection | landscape 24 · portrait 30 · square 6 |
Abstract is the only genre here that leans portrait
Across the collection, portrait-format work outnumbers landscape — 32 to 27, with square well behind. Nothing else we carry does that. Landscape runs twelve to one wide; cityscape nearly six to one.
The reason is that abstraction has no subject dictating its shape. A landscape photographer frames what is in front of them; an abstract painter chooses the proportion as part of the composition, and vertical formats give a different kind of movement.
The practical upshot is useful: abstract is the genre to look at for a tall narrow wall, an alcove, or the space beside a door, where most of the catalogue has little to offer.
What abstract work is actually doing
Abstract work is often described by what it lacks — no recognisable subject. That is not very helpful when you are choosing.
What it has instead is a small number of variables doing all the work: colour relationships, the weight and direction of mark-making, and the balance of the composition. When an abstract piece does not work in a room, it is almost always one of those three rather than "I don't like abstract".
The three questions that narrow it fast
Is it gestural or geometric? Gestural work has visible movement and hand in it. Geometric work is built from edges and planes. People are usually firmly one or the other.
Is the palette narrow or wide? A narrow palette reads as calm and will sit with almost any room. A wide palette is a statement and has to be planned around.
Where is the weight? Abstract compositions usually have a heavy area and a light area. Which way round that sits matters enormously once it is on a wall.
Where it belongs
Every work in this collection is tagged for the sitting room, and around three quarters for a study or office. Very few are tagged for a bedroom.
That is a fair reflection of how abstraction behaves. It holds a long viewing distance well, because it has no fine detail to lose. It rewards being looked at repeatedly, which suits a room you work in. And it tends to be more alert than restful, which is why it appears less often above beds.
Scale and framing
Abstract work takes size better than almost anything else, because there is no subject to distort. A landscape blown up too far starts to look like a poster; an abstract simply gets more present.
If you are choosing between two sizes on an abstract piece, the larger one is usually right.
On framing, abstraction is the one genre where a wider moulding can genuinely add something. Our Venice at 3 cm and Swoop at 3.5 cm give the work an edge and turn it into an object in the room. Every work in the collection can be specified without a mount, which suits edge-to-edge compositions where a white border would interrupt the design.
Related genres
- How to choose geometric wall art
- How to choose semi-abstract landscapes
- What is abstract nature art?
- All genres
- Journal
- Discover — preview art in room scenes